Your cart
There are no more items in your cart
Share of Spanish guest appearances at 73. Ljubljana Festival was enlarged or expanded with a concert by the Radio Television Comerce and Orchestra of Spain under the leadership of internationally renowned conductor Marc Moncusi last night at the Slovenian Philharmonic. It was not full; it is known that half of Slovenia is on vacation, supposedly a million in Croatia, because they already have a few hundred thousand weekends there. And the property binds, and the diversity and attractiveness of the country even more. Children love the sea.
read more
The Spanish Radio and Television Chamber Orchestra will perform in Ljubljana under the baton of Marc Moncusí. The soloists will be pianist Dmitrij Iškanov and trumpeter Anton García Francisco de Borja. The program includes works by Toldrà, Shostakovich and Lucian Moraru.
read more
La 73 de ani. Festivalul Ljubljana a lansat o serie de concerte sportive internaționale excelente de muzică clasică. După un recital al pianistei ruse Violeta Egorova, aseară, Cvartetul de coarde internaționale Son Art a cântat în Biserica Križevniška cu pianista italiană Epifanio Comis, care este și șeful Masterclass-ului Internațional pentru Tineri Pianiști.
read more
SonArt is a group of experienced musicians from Germany, Bulgaria, Serbia, and Romania who have performed at venues such as the Athenaeum in Bucharest, Massimo Bellini Theater in Catania, Konzerthaus Berlin, and the Musikverein in Vienna. This time, they are joined by renowned Italian pianist Epifanio Comis, who has appeared on stages like Carnegie Hall in New York and Salle Gaveau in Paris. Together, they will perform two masterpieces of chamber music: Schumann’s Piano Quintet and Dvořák’s Second Piano Quintet.
read more
The initiator of the Traffic Strings was the Romanian violist Lucian Moraru in 2005. The versatile musician was educated at the Bucharest Music Academy and then perfected himself in the Netherlands and Great Britain. The name of the band Traffic Strings indicates the constant journey of its members through a wide variety of musical genres and periods.
read more
Programme: Gerónimo Giménez, Baden Powell, Gerardo Matos Rodríguez, Lucian Moraru, Wayne Shorter, Freddie Hubbard, George Enescu, Chick Corea
read more
31. July, 2025 - 08.00 PM - Academia Philharmonicorum
MARC MONCUSI, conductorDMITRY ISHKANOV, piano
read more
Fundaţia „Solidaritatea Culturală pentru România ARS XXI” a organizat în data de 14 decembrie 2024, la Ateneul Român, Gala „Crăciun pentru toţi”, un eveniment aflat sub patronajul Ministerului Culturii, în colaborare cu Filarmonica „George Enescu”. În cadrul ediţiei din acest an a fost invitată Orchestra Simfonică a Conservatorului „Vincenzo Bellini” din Catania, sub bagheta maestrului Epifanio Comis.
read more
CD des TagesRomania Intemporel
Enescu, Bartók, Dinicu, Moraru und weitere Komponisten und Musikaufzeichner aus Rumänien.
read more
This rousing tenor solo from Puccini's opera, Tosca, is beloved across the world, having even been adopted by World Cup soccer crowds! Moraru has given us two versions, the first version being more florid towards the end. with scale runs. leaps and some double stops. The second version retains the quiet tremolo where, in the original, the off-stage chorus sings and. apart from the final tag up the E-string written by Moraru that works well for an ending, can all be played in first position.
read more
Satie's Gnossienne series of piano pieces, like his Gymnopedie, are reflective and deceptively simple. The bulk of Gnossienne - no. 4 consists of short phrases of descending scale passages interspersed with repetitive semi-quaver ones over undulating qu9-vers in the piano. Beginning in D minor, with just one major chord in the whole piece, the subtle, slow-moving harmonies convey a sense of Eastern cultures.
read more
Mascagni's gentle and beautifully melodic Intermezzo from his tragic opera, Cavalleria Rusticana, is scored in the original for strings and harp, so an arrangement for violin and piano works well. Moraru's arrangement begins with a fourbar introduction reproduced from the final four bars, in my opinion lessening somewhat the effect of the ethereal ending.
read more